Gleeman Pentaphonic 
An extremely rare synth, the number in existence varies between sources. According to Joey Swails, who wrote an extensive article on the synth online, there were only 50.
The Gleeman Pentaphonic is a five-voice polyphonic analog-digital hybrid synthesizer. Both black and clear models were released, the black version first in 1981 before the clear in 1982. It was designed by brothers Al and Bob Gleeman.
The filters and amps are based on the same Curtis chips that were used in the Prophet and ARP machines. The oscillators are digital.
This synth has three oscillators per voice. It also has a lowpass filter, two ADSR generators, an LFO, chorusing, and a sequencer. There’s a joystick to control pitch bending and modulation of either the pitch or filter cutoff.
It measures 6 x 13 x 25 and weighs 18 pounds. The black model has a built-in speaker. It also can be strapped on like a guitar!
According to designer Al Gleeman, the clear look came about after someone spotted a clear Rhodes piano. After that, requests for a clear version of the Gleeman Pentaphonic started to come in. Gleeman was also inspired by a 1982 Sequential Pro-One advertisement (view in stories).
Notable artists (this is difficult to find) include The Moog Cookbook. Apparently Vincent Gallo has one, and Kid Koala.
References: Vintage Synth Explorer, Retro Synth Ads, Mark Vail, Vintage Synth Explorer, Equipboard, Encyclotronic, Joey Swails Mayrix Synth.
A cantora e compositora Mackenzie Scott (a.k.a. TORRES) compartilha a faixa “Too Big for the Glory Hole”, uma das canções descartadas do repertório do álbum ‘Silver Tongue’ e lançada num vinil limitado que acompanhava o disco, para colaborar com a ONG Loveland Foundation.
A canção é uma balada encoberta de sintetizadores carregados e o vocal sofrido de Scott que canta sobre um sentimento de solidão e incertezas.
Link na bio.
“You know you're in love when you can't fall asleep because reality is finally better than your dreams.”
― Dr. Seuss
This kid is playing on my next album. I had my friend and his family over for a Corona farewell party tonight. His son was playing this on my upright piano. I promptly told him to stop playing, get up, go into my tiny studio and resume playing the #zelda theme song on my pocket piano.
Gave DRU and thedruniverse.com an update. Have been wanting to design a more modern/sleek/lighter helmet for years. After some trial and error, I finally have a functional prototype. It’s better than I thought possible, I made this with these hands 🤲🏼🥺 kind of have a Dr. Frankenstein happiness about it 😄 still can’t believe I got the eyes to light up 💪🏼🧠
Created this character back in college to make homework a little more interesting. I was creating some weird music at the time and this served as a face for that. I guess after years of dressing up to play in a mariachi band I didnt find it weird to dress up to play electronic music. I was debating putting this mask down and just going out with my face on the next album but then THIS whole thing (everyone is wearing a mask) lol Took it as a sign... keeping the mask on for now. -
Started uploading tracks for publishing last night. First album release in 6+years... 😧 so much has happened. Glad to report I was out living life 👍🏼 Happy to be back, excited for what’s to come. - -
dimitri monroe has so much bottom energy it loops back around and makes him a top as well
1 hour ago
hai teman-teman.. semoga sehat selalu ya. aamiin.. 🙏
OK langsung saja!
Saya menggunakan Aplikasi Real Drum, linknya bisa di download dibawah:
Kemudian untuk pemilihan KITS saya menggunakan 2 model KITS yg saya kombinasi, yaitu IAMIKI 21 - Solid Rock dan untuk Tom-tom menggunakan ADHA DRUMS - Death Metal.
Untuk Loopsnya saya menggunakan yang SYNTH 03
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5m5 minutes ago
BRUVS Look what @SpaceySoda drew for ME! :00000!!!pic.twitter.com/xgZNzMlhbz